Throwback Thursday with Narnia, Newt Scamander, and Fantastic Beasts: Part II

fbFollowing up last week’s part one on the influence of C.S. Lewis on J.K. Rowling’s cast of creatures, here  is the second part of the paper (though edited) that I originally presented at the 2005 Witching Hour conference in Salem, Massachusetts, a lovely event that set me off on the last decade of Potter scholarship.

As we pack our bags (ones that hold many very interesting things) for another journey into the Wizarding World with Newt Scamander and his Fantastic Beasts, we pick up after examining the heraldic animals of Hogwarts as they connect to Narnia, as well as connections with domestic animals and wildlife.

Now, we’ll head off the map a bit, more into Newt’s territory, as we look at creatures more up his alley–that long scary alley with something scuttling over behind the bins….

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Throwback Thursday with Narnia, Newt Scamander, and Fantastic Beasts: Part I

fanblww  As we’ll doubtless be covering in the weeks to come, Fantastic Beasts and Where to Find Them is flying, crawling, and      stomping into theaters this month. While we are all interested to see more of the wizarding world, I am particularly  intrigued, as that slim red volume actually launched me into serious academic scholarship into the Potter-verse.

In 2005, I attended my first national Harry Potter Conference, The Witching Hour in Salem, MA. There I presented my paper,    “Fantastic Beasts: C. S. Lewis, J. K. Rowling, and the Menagerie of the Imagination,” a project that I began while I was  reading The Lion, the Witch, and the Wardrobe aloud to my son. Though I had already worked extensively with the  Chronicles of Narnia, I noticed something during those read-alouds that I had missed in dozens of re-reads: when Peter,  Edmund, Susan, and Lucy arrive at the home of Professor Kirke, they speculate on the animals they will see, listing, specifically, eagles, stags, hawks, badgers, and snakes.

Taken with Aslan, who is the Lion of the title and at the back of all the stories, there in the first few pages of the first of the Chronicles of Narnia (yes, it is the first one, no matter what misguided publishers do to the order), we have the four Hogwarts House mascots and Harry’s Patronus.

When I made that head-slapping connection, I did not realize that, more than 10 years later, I would be thoroughly immersed in Potter scholarship and that the story of Fantastic Beasts would be appearing on the big screen, but I did know that I had made a magical discovery, one that propelled me through the paper for the conference and into a wonderful journey of literary analysis and exploration. So, as we gear up for Newt’s big screen debut and since Thursday is a day when we throw back, here is part one of a selection from that paper, greatly edited from its original bulk (my poor patient audience at the Witching Hour!), and an invitation, as always, to share your thoughts, and perhaps, your own experience with the intrepid Newt Scamander and his role in your Potter studies.

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Voldemort, Delphini, and Oedipus: Complex Folks and Cursed Children

LONDON, ENGLAND - JUNE 07:  A general view of The Palace Theatre as previews start today for "Harry Potter and the Cursed Child" on June 7, 2016 in London, United Kingdom. The play has a sold out run until May 2017 with fans expected to fly to London from all over the world to see it.  (Photo by Ben A. Pruchnie/Getty Images)

As we continue our thoughts on the recently released rehearsal script of The Cursed Child, one of the big questions early on was the identity of the titular child, but there is really more than one cursed child in the story. In fact, some of the most fascinating elements of the play tie in with one of the most unfortunate children (and adults) in all of literature, Sophocles’ Oedipus; Voldemort’s story already has powerful overtones from that of Oedipus, and this tale continues that trend, with subtle, and not-so-subtle, reminders that He-With-No-Nose and He-with-the-Swollen-Foot are both prophecy-haunted products of broken families whose harmful choices ripple outward to damage all those around them, right up to the blue-haired gal in the new play. (Fair warning, spoilers galore)

 

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Re-Hashing, Re-working, and Resurrection: The Cursed Child and Why Authors Cannot Settle for Re-Visiting their Texts.

In a few days, bookstores will be beset by eager readers, online vendors will mail out hordes of pre-ordered packages, and costumed fCursedChildWindowDisplay (1)ans will squeal with delight as they crack a fresh cover. Like the days of old when the release of a new Harry Potter book incited epic expectation and fan reaction, the publication of the rehearsal script for the first two parts of the play, Harry Potter and the Cursed Child, is already surrounded by attention that not only echoes the releases of the seven books in the Hogwarts Saga, but that also recalls the kind of fascination and frenzy that has prompted other artists to do what J.K. Rowling has done: trying to re-create a phenomenon when the original source of that phenomenon, at least from an artistic and symbolic standpoint, has concluded and needs no further additions.

When C. S. Lewis completed his seven-book Chronicles of Narnia, he resisted requests for more installments, even suggesting that readers who enjoyed the novels should write their own stories. Other authors have not been as able to resist the attraction of trying to return, again and again, to the fictional worlds they have created, even when the journey has been completed. While J.K. Rowling is already being censured by Potterphiles and critics alike for engaging in an unnecessary new story or tampering with the cohesive artistic unity of Harry’s story by collaborating on what will inevitably be mislabeled the “eighth Harry Potter novel,” she  is certainly not the first author to engage in such shenanigans, and it is unlikely she will be the last. So why do they do it? Why do authors, like filmmakers, actors, and other artists, go back to a completed work and add to it? [Read more…]

Once More into the Games, Dear Friends, Once More! Mockingjay Part 2 Flies into Theaters

The-Hunger-Games-Mockingjay-Part-2-Final-PosterFor the past four years, a wonderful local theater, the Yancey in Burnsville, has graciously hosted the readers of Mayland Community College for our own showing of the newest installment of the Hunger Games film adaptations. On Friday, November 20, once again the theater played the movie just for us, and, as we took in this, the last of the films based on Suzanne Collins’s remarkable trilogy, I once again toted my notebook and pen (along with lots of tissues) to collect my thoughts to share with you here.  So, the pieces are in place; the countdown has begun. Let’s enter the arena, one last time, to see how the conclusion of this epic and complex tale survived its journey to screen. (Fair warning: this detailed review contains major plot elements.)

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