Carol Eshleman is an avid Potter scholar and Doctor Who enthusiast. She has spoken at conferences at UNC, the University of St. Andrews in Scotland, and at Potter conferences in Orlando. She teaches Law Studies, Speech, and is the theatre director at Archbishop Rummel High School in Metairie, Louisiana. She spoke at Leaky Con this summer in Orlando on alchemy and Dr Who. Enjoy!
The Doctor and the Rose: Doctor Who and Alchemy in the Russell T. Davies Era
Doctor Who fans are familiar with the concept of time travel. We often see how actions from the past influence and color the future. Images from the past reappear in new but clearly recognizable ways. Let me share with you my observations of alchemical imagery that is present throughout the Russell T. Davies era of the Doctor’s journey.
Many of us are familiar with alchemy as the pseudo-science that gave rise to modern chemistry, and it is true that there were medieval alchemists who were literally trying to turn base metals into gold. Eventually, alchemy evolved to carry more philosophical and spiritual meaning, and the physical process gave way to an allegorical pilgrimage of the soul towards eternal life. This allegory made its way into medieval literature and continues to be used by diligent authors to enhance their narratives with spiritual depth. Potter scholar John Granger has done tremendous work in uncovering alchemical imagery in J. K. Rowling’s series. Allow me now to take a similar path along the time stream of our favorite Gallifreyan.
That the Doctor should be a figure associated with a body of imagery concerned with resurrection and eternal life is no revelation. The Doctor’s ability to regenerate and begin again with a new face and personality makes any section of his personal narrative open to this sort of interpretation. However, the Doctor as we see him at the beginning of the 2005 reboot is more than ever in need of a transformation. Reeling after his actions in the Time War, he is now the last of the Time Lords and is struggling to find direction and meaning. Who does he encounter first but a girl named Rose, and this is very significant (so significant that Russell Davies titles the first episode of the reboot “Rose,” a character that the audience has never encountered instead of something about the character that the audience has waited nearly a decade to see). The rose is a symbol of the completed alchemical work, the Philosopher’s Stone, which has the power to transform base metals into gold and create the elixir of eternal life, but let’s not jump too far ahead just yet. There are several stages that the material must go through before it is fully transformed. As we study the alchemical journey that the Doctor takes through the Davies era, we’ll see that the Time Lord’s narrative aligns with the events and stages of the alchemical work to eventually coalesce into a portrait of resurrection and redemption. Read More “Guest Post: The Literary Alchemy of Doctor Who”
In The Hunger Games, as John and others participating in the discussion on this site have noted, one major theme is “real or not real”. In Mockingjay, Peeta is characterized as the person who has trouble determining reality because he was “highjacked”. While the brainwashing and memory tampering he has suffered is certainly a violation and a weapon used against Katniss that she and her team are challenged to overcome, I would like to discuss a second person who throughout the series appears to have a problem with “real or not real”: that person is Katniss herself.
