George Lucas’ Star Wars — a Ring Composition? You Betcha!

The Disney Corporation has purchased the Star Wars franchise from George Lucas and the rumor is that they have finished filming the first of a new set of three films that will complete the grand trilogy of trilogies. I cannot help but think that the legion of Star Wars fanatics (and the millions of us who are old to remember with joy the first films’ release dates) are anticipating the new adventure with the excitement and speculative frenzy that Harry Potter fandom experienced before a new book publication.

Why do I bring this up on a web site for serious readers? No, I haven’t decided that movies are texts to be interpreted the same way as novels, plays, and poetry. Really, they’re not. But there is a close reader of the Star Wars films who believes that filmmaker Lucas incorporated traditional story-telling features into his six-part single-movie epic. Not just soul triptychs, though, and themes of redemption and resurrection.

Mike Klimo at www.StarWarsRingTheory.com explains the nitty gritty ABCC’B’A’ correspondences that makes the movies work — and which the critics who dismiss the first trilogy as trash have failed to appreciate. If you’re a Star Wars fan, a serious reader of Harry Potter (which means, of course, that you’re fascinated by Ring Composition), or just curious what all the fuss has been for close to four decades about the Skywalker clan, you need to check out Mr. Klimo’s website.  It’s not just another analysis of the epic film franchise in light of Joseph Campbell’s ‘Hero’s Journey’ topoi and Jungian archetypes (praise God).

And there is a Harry Potter connection, believe it or not. For that, make the jump!

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The Twistrose Key: A Magical Gift for Christmas (or any time!)

I love giving book recommendations. When people tell me they want book suggestions for friends or family members, I generally ask a few questions and see if I can’t point them in the right direction. For the past several months, the one book I have recommended to almost everyone is an enchanted snowglobe of a tale that is perfect as we head into December. The Twistrose Key is an enchanting, lyric novel, by Norwegian author Tone Almhjell, who weaves a spell of snow, song, and sensory magic to create a story unlike any other, yet still achingly, hauntingly familiar. In addition to creating an absolutely amazing novel, Almhjell is a generous, delightful person who graciously agreed to an email interview despite a looming deadline for her next book. Slip on your mittens, pull your wooly cap down tight, and hang on to the reins; after the jump, we’re off on a magical sleigh ride to get to know this warm-hearted author and her snow-dusted story.

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A Heroic Achievement: Tolkien’s Beowulf Coming in May

I love teaching British Literature I, for a variety of reasons. One of those reasons is a big scary fella with a heck of a grip: Beowulf. The translation I enjoy using is the absolutely fabulous Seamus Heaney one, but there is a new version forthcoming, one that has a variety of readers drooling like Grendel contemplating a mead hall full of yummy Danish warriors. J.R.R. Tolkien’s much anticipated translation, bound along with some of his scholarly and fiction work related to the epic poem, is slated for release May 22. [Read more…]

Alchemy, Ring Writing, Doppelgangers, and Arabian Nights: The Artistry and Meaning of Mary Shelley’s ‘Frankenstein’

I’ve just finished a hurried reading of Mary Shelley’s Frankenstein: A Modern Prometheus, a book I haven’t read in too many years. In the hopes of encouraging others to pick it up again, I risk making observations about its structures and predominant symbolism which the two centuries of critical literature almost certainly have raised and, as likely as not, dismissed for valid reasons. I’m certain that serious readers of popular fiction will recognize several of the ideas below as the heart of Harry Potter, Hunger Games, and Divergent (not to mention Twilight!). I ask your forgiveness in advance for whatever degree I have seen or ‘found’ only what I wanted to find, even allowing that perhaps having eyes to see such things is the only means of perceiving them.

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21 December or 12/21: ‘Around the World in Eighty Days’ Day

The novels of Jules Verne have suffered neglect in the UK and US because of their hurried and unfortunate translations into English, worse translations on to the silver screen, and the persistent misunderstanding, due to his space travel and submariner adventures, that he is a science fiction genre writer. Reading Verne’s Around the World in 80 Days with my son Timothy, the new translation by William Butcher, I was delighted to find, though not a formulaic ring composition, that this adventure story was composed as a circumnavigation of the globe written as a ‘there and back again’ mirror reflection. Everything from the modes of travel to the critical date of Phileas Fogg’s return to London — today’s date, 21 December — testify to a playful and careful obsession with story parallelism.

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