Pratibha Rai is an Oxford University graduate and she has been a Harry Potter partisan and pundit since 2001. Her research today mostly concerns the sociology of collecting in early modern Europe. She enjoys finding parallels between Harry Potter and history of art. In late 2019 she shared with us what she discovered about that life-saving short-cut antidote, the Bezoar; the next year it was On the Naming Fear & Jinxing in Harry Potter. Those familiar with her work will be as excited as I am about her latest research below. Enjoy!
Brush as Wand: Portraiture in Harry Potter
At Hogwarts, it is an age-old tradition for eminent witches and wizards to sit for portraits in order to preserve their legacy after death. Their framed likenesses cover the walls of Hogwarts like ivy, chronicling the rich heritage of wizarding history such as the plethora of portraits we see surrounding the moving staircase (250 portraits altogether in the Philosophers’ Stone movie). The artist and architect Leon Battista Alberti (1404-1472) wrote in his treatise De pictura (1435) that a painting ought to be an open window through which the subject might be viewed. Muggle artists have perennially sought to achieve this by imbuing their scenes with optical effects and using oil paints to give portraits a sheen of real life but in Hogwarts, the subject can literally be viewed and even heard from their canvas as they act as agents in their own right to advance the narrative. In this article, I hope to unpack Rowling’s often overlooked fascination with portraiture in the Harry Potter series and how the books use the artistic conflict between truth and illusionism to dramatic effect. [Read more…]
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