J. K. Rowling’s Life in Two Tweets

Neither of Rowling’s twitter statements on 1 April was an April Fool’s Day joke or a birthday greeting for George Weasley, with a ‘Memory Eternal’ note about his late brother Fred.

Instead she answered a question about how she “fit writing” into her “everyday schedule” when “starting out” and made her case for the protection of children from transgender activists’ call for transition without parental consent.

This is a subject much overlooked, at least by me, with respect to The Presence. To her life is about writing. As she wrote in ‘On Writing:’

The truth is that I can’t really separate a ‘writing life’ from ‘life.’ It’s more of a need than a love. I suppose I must spend most of my conscious life in fictional worlds, which some people may find sad, as though there must be something lacking in my external life. There really isn’t! I’m a happy person, by and large, with a family I adore and quite a few activities I enjoy. It’s just that I have other worlds in my head that I often slip in and out of and I don’t really know how it would feel to live any other way.

Her second tweet on 1 April involved children and transgenderism, which I think gets to the heart of who she is as a person as much as her need to write: [Read more…]

Rowling Speaks with Charlie Rose (2012)

I was looking for a quotation from the Presence about her liking books in which she knows the author is totally in control of the story (which quotation I still haven’t found — please share below if you know where to find it) when I stumbled on this gem:

“You’ve got to work. It’s about structure. It’s about discipline. It’s all these deadly things that your school teacher told you you needed… You need it.”

The source attributed this to ‘Charlie Rose,’ which, it turns out was an interview I had posted an excerpt from here back in 2012. I certainly had forgotten this remarkable conversation if I ever listened to it beginning to end. It is available in its entirety at CharlieRose.com, whence the video above, and the transcript is available via a button at the top right of that page. There’s a lot, it seems, about her writing habits and priorities as with the above (to be found at 39:56).

And a little biographical-bibliographical history as well. At 37:45, for instance, she said, “I wrote a substantial part of another children’s book midway through Potter that I still need to go back and finish because I really like it.” This is further evidence for Nick Jeffery’s history of The Ickabog’s conception and writing and the advent of Christmas Pig. See 34:45 as well.

There are several great interviews Rowling has done that are filled with revelations that throw new light on her work. I think immediately of her exchanges with Adler, Amini, Cruz, deRek, Grossman, Lloyd, Wagner, and Solomon. I look forward to giving this Rose-Rowling transcript from 2012 a close reading to see if it belongs in that exalted group — and ask you to join me in that look!

 

Blue Bunny Found in Omaha, Nebraska!

Read all about the miraculous saving of a Blue Bunny — well, violet but close enough — found in an Omaha, Nebraska, street, carefully rescued, a search made for its owner, and then lovingly cleaned and restored (see below).

The wild thing is that no one in the article mentions the Blue Bunny in J. K. Rowling’s Christmas Pig or the author’s testimony that the story episode of the Blue Bunny’s finding by Jeanne was a retelling of her daughter Mackenzie Jean finding a Blue Bunny doll years ago.  As Rowling explained to children participating in a Scholastic sponsored chat about Christmas Pig:

The Blue Bunny was also inspired by a real life incident in my family. My youngest daughter, she found a muddy little blue bunny in the flower bed that had obviously been there for years. And just like the mother in the story, I said, ‘It will break the washing machine if we put that bunny in the washing machine.’ She really begged me to keep it and she still has that blue bunny which must have been dropped by a child in the garden a long time ago but we managed to clean Blue Bunny up pretty well. So that was also inspired by something that happened in my family. (Thanks to Nick Jeffery for the link and time, ~7:50)

The finding of Blue Bunny is perhaps the single most important moment in Christmas Pig outside of the Harrowing of the Loser’s Lair (as I explained in an epic post ‘Christmas Pig 5: The Blue Bunny‘). I love this Omaha news story, consequently, and suspect that in a few years no one will find and rescue a Blue Bunny or even a lavender one and not think, “Just like the story!”

The Blue Bunny Lives! Long Live the Blue Bunny!

‘Secrets of DDore’ Trailers and Guesses

After two delightful days of Beatrice Groves guest posts about the soon to be released Secrets of Dumbledore, the third installment in the long delayed Fantastic Beasts film franchise, I realized I really have tuned out the klaxon promotional noise coming out of Hollywood and movie mavens online about what’s coming up. I plead “Indifference” sad as I am that Rowling’s original screenplay set in Brazil was trashed and that this film, written by Steve Kloves with contributions by The Presence, and produced and directed by David Yates and David Heyman, may consequently be more coherent (less butchered) than Beasts 2, Crimes of Grindelwald — and a much less mythic and meaningful story as the original would have been.

Professor Groves’ notes encourage me, however. I retain the secret hope that it was Rowling who insisted on the rewrite and that this much anticipated film takes the ensemble production to new and great heights. In that spirit, I offer three videos by an Uber-Fan who has been tracking and dissecting the Secrets trailers for months now. I hope that you will find them, as I did, great catch-up vehicles for the ideas prevalent in Beasts fandom — Queenie under the Imperius Curse! — in the weeks before the global gradual release. Enjoy!

Cormoran Strike’s “Legless” Joke in Cuckoo: His Kairos Moment with Robin

In perhaps the funniest and most tear-inducing scene in Cuckoo’s Calling, Strike gets the news from Robin that Charlotte Campbell has called the office to say she is engaged to marry Jago Ross. It’s been three weeks since Strike broke it off with his fiancee and he’s still in a fragile state. He leaves the office, heads for his favorite pub, and proceeds to drown his grief and anger in Doom Bar Lager.

He is twelve pints in — a guess of how much he could drink in a determined hour — when Robin finds him. She’d searched every pub close to the office and The Tottenham was her last stop before giving up and heading home to her fiancee, Matt Cunliffe. She helps the pathetic bear of a broken man out of the bar — he’s about to be asked to leave because he starts to light a cigarette — and they wind up in a kebob shop.

Robin learns the Charlotte Campbell back-story: the lost baby, the dates that didn’t work, and the kairos moment in the Army hospital. Strike also shares with the temporary secretary that she is a nice person. He tells her this five times in fact and apologizes twice for saying “fuckin” which he does indeed say, a total of six times. But who’s counting? Their farewell brings us to the point of this post because it includes two Brit terms Americans do not know or use:

‘Let me just make sure you get upstairs OK.’

‘No. No. ‘M fine now. An’ I might chunder. ‘M legless. An’,’ said Strike, ‘you don’ get that tired old fuckin’ joke. Or do you? Know most of it now. Did I tell you?’

‘I don’t know what you mean.’ (p 305 in the US edition, 328 in the UK).

I’m with Robin here. What do the words “chunder” and “legless” mean? And what “tired old fuckin’ joke” is Strike going on about?
First stop, Nick Jeffery. He provided the answer to the “legless” mystery with a dictionary definition.
My surface reading is the joke references legless, I’m not sure how common the second definition is in US (very common in UK): legless: /ˈlɛɡləs/ adjective
  1.  having no legs. “caecilians are legless amphibians that resemble worms”
  2.  INFORMAL•BRITISH extremely drunk. “he was legless after his booze-up at a nightclub”

“Chunder” was easy to find in an online slang dictionary:

Chunder means to be sick, it originates from old seafareing days when sailers would get seasick and stick their head out of the porthole in their cabin. As they did this they would shout “Watch Under” to warn people in lower cabins of the forthcoming puke. Over the years this has evolved into ‘Chunder.

And the “old fuckin’ joke”? Nick is almost certainly right that it turns on Strike’s only having one leg, being drunk, and the word “legless” in the UK being a euphemism for being so drunk that you cannot walk. Strike asks Robin if she gets the joke, explains that he’s already told her “most of it,” meaning I suppose the ‘punchline,’ and then asks her if he’s told her the joke before. Robin responds to that stream with a blanket, “I don’t know what you mean.”

So to what “old fuckin’ joke” is Strike referring, assuming it isn’t about sex with a one-legged man?

I went online in search of a joke along the lines of, “How did the one-legged pirate become legless? He drank too much!” It turns out there are websites dedicated to one-legged man jokes (who knew?) and even to double amputee humor of the zero-pedal variety. You have to scroll down that latter page pretty far to find “legless” jokes that play on the British meaning of the term (they’re all tasteless, of course — and you can find three of them after the jump if you’re interested). There aren’t any on the one-legged comedy page.

If you know the joke Strike is thinking of here, please share it in the comment boxes below.

Why devote a whole post to this subject? Easy.

Believe it or don’t, the meeting in The Tottenham and a kebob shop in which one-legged legless Cormoran shares his Charlotte history with the “very nice” Robin who has searched for her distraught boss to make sure he is all right is the Strike-Ellacott kairos moment or a foreshadowing of it. We revisit the scene in Career of Evil‘s mirrored reflection the night Robin gets plastered after discovering her fiancee had been unfaithful. We see it once again in the Troubled Blood pub in which Strike the Boxer flattens Robin in the American Bar (“Robin, didjer know I wuzza boxer?” Cuckoo, 303) and then they both go back to the office to do their serious drinking. Except for Barclay entering ex machina, the partners were each thinking about, if not becoming legless per se, at least putting both feet off the floor.

Charlotte’s kairos moment with Strike was finding him helpless in a hospital, short a leg, and her kissing him without saying a word, reigniting their failed relationship on her terms. Robin’s kairos moment with Strike in parallel and strong contrast is her finding Strike ‘legless,’ perhaps even more vulnerable than he had been in the hospital, and her being sympathetic, a good listener, and an even better friend. She is determined not to take advantage of his condition or prompt inappropriate intimacies. The temp, as he observes repeatedly, really is a nice person — a much better person than the vicious ex-fiancee.

Though Robin says to herself, when Strike asks her if she knows what a kairos moment is, “Oh please, please don’t tell me we’re having one,” italics in original for emphasis, that is exactly what was happening, something the twosome will almost certainly revisit and discuss in Strike 7, as they have in Strike 1, 3, and 5 thus far.

This makes finding the joke that Strike wants to tell as they part important enough to merit a post. Rowling-Galbraith may just be saving it up for the finale Bar Scene in which Robin and Cormoran at last go legless together.

 Thanks in advance for sharing your best guess about Strike’s “legless” joke below!

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