Trailer Released for ‘Return to Hogwarts’

I’m not a fan of the film adaptations of the Hogwarts Saga but I am grateful for its existence, inevitable as it was (well, Salinger held out, perhaps just to demonstrate that authors need not always be prostitutes in this regard). The Warner Brothers blockbusters have forever changed and restricted our imaginative experience of the Wizarding World, not to mention our ability to experience their allegorical and mythic dimensions.

It is a traditional aphorism, however, that ‘Every front has a back and the bigger the front, the bigger the back.’ The back to the gargantuan front of the permanent and ineradicable diminution of the reading experience to be had in this written septology after immersion in the sensible images of the films is that they introduced the stories to millions of people who might otherwise never have opened one of the books.

These films, for example, are in large part responsible for the end of the ‘Potter Panic;’ you can tell an American not to read a book because it is spiritually dangerous and he will thank you as often as not, but don’t tell him he cannot watch a PG rated children’s movie. Seeing the movie convinced many of even the true believers that the Culture Warriors were nutters rather than prophets with respect to Harry Potter.

If you’re ‘into’ the movies — and I know many of our readers are — after watching the trailer, you can catch the series of short videos on YouTube about the making of Sorcerer’s Stone, the movie. Enjoy!

Beatrice Groves – The Qilin in The Secrets of Dumbledore?

Beatrice Groves, Research Lecturer and tutor at Trinity College, Oxford, and author of  Literary Allusion in Harry Potter, has written a Hogwarts Professor Guest Post: After the excitement of the new trailer for Fantastic Beasts the Secrets of Dumbledore Dr Groves has identified what may be the new Chinese beast in the latest installment. Join me after the jump to find out what a Qilin is, and what that may portend for the film!

[Read more…]

Christmas Pig 2: Dante, Sacred Art, and the Symbolism of the Tree and Its Angels

I have been writing about Rowling and Dante since the publication of Deathly Hallows. Please read ‘Snape’s Green-Eyed Girl: Dante, Renaissance Florence, and the Death of the Potions Master,’ chapter 4 of The Deathly Hallows Lectures, for the central place The Divine Comedy holds in Rowling’s Hogwarts Saga. Pig, the tale of ‘The Living Boy’ in the ‘Land of the Lost,’ is in several ways a revisiting of ‘The Boy Who Lived’s adventures and a re-imagining of Horcruxes, a soul’s investment of itself in material things. As Evan Willis has demonstrated, however — in a post written in October after only listening to the new book once! — Pig is perhaps most like Potter in its debt to Dante. Join me after the jump for Evan’s nine points of correspondence and my explanation of Rowling as sacred artist! [Read more…]

Christmas Pig 1: Jack Jones, Peter, John

Welcome to the week before western Christmas at HogwartsProfessor.com! I’ll be posting about J. K. Rowling’s new story, The Christmas Pig, every day in the coming week and we have a special guest post that will go up, next Friday, Christmas Eve, the “Night of Miracles and Lost Causes.” It promises to be a lot of fun and I look forward to sharing with you the delights beneath the surface of this wonderful tale. 

Let me start with my summary opinion of Rowling’s entry into the genre of Christmas stories.

J. K. Rowling’s Christmas Pig works as a key, a relatively small object that creates a much larger opening to a larger and new experience, with respect to her other works to date. It is perhaps her greatest achievement, a miniature — her shortest work ever, briefer than Philosopher’s Stone or The Ickabog — and cameo of her most important themes, most sophisticated artistry, and most powerful meaning about life, art, and faith. It is, in brief, a concentrated introduction to everything serious readers love about the world’s most popular writer.  Owen Barfield is supposed to have said about C. S. Lewis that “Everything he thinks is evident in anything he writes;” everything Rowling does is present in her Christmas Pig.

I suppose it goes without saying that everything posted here this week will assume that you the reader have read Christmas Pig, that you have read it recently, and that you are eager to explore it at depth. It works at four levels but I will be focusing on the allegorical and anagogical planes. There won’t be any spoiler warnings. To appreciate the depths of The Christmas Pig requires an understanding of Rowling’s writing process, of her personal history, and of extra-liturgical sacred art before jumping into the story itself. For an introduction to the premises of this week’s exegesis of this brilliant tale, join me after the jump for a look at the meaning of ‘Jack Jones,’ the name of Pajama Boy in the Land of the Living.

[Read more…]

Twelve Rowling Story Sources for Potter Pundits: A Treasure Chest from the Vault

I wrote what is called a ‘Lead Magnet’ for an online course I planned to give — Wizard Reading Formula at PotterPundits.com — in the summer of 2017. I’m pretty sure of the date for this longish piece, though I haven’t checked it, because I put it up in a drop-box on the HogwartsProfessor home page the week I received my reader’s copy of Literary Allusion in Harry Potter, a landmark event. It helps with my memory, too, because one of the things I wrote about the Jane Austen book I chose for this Top Twelve Tomes list was exactly what Bea Groves had written about that same novel, Northanger Abbey. I added a link to her book in addition to a comment she had posted about The Tiger in the Smoke.

I wanted to reference in my thesis something I’d written about Austen and another about Shakespeare from this 72 page booklet — don’t worry, it’s written in large type and comes with many illustrations and chapter cover sheets — but it no longer existed anywhere on the internet. I am obliged to post it here as a pdf via url for that ‘Works Cited’ reference (Granger 2017b) in the PhD dissertation currently preoccupying me.

Much of it, of course, is out of date; there is, for example, no Wizard Reading Formula course on offer at PotterPundits.com and we’ve learned a lot more about Rowling’s favorite books since I assembled this (thanks in no small part to the efforts of the Professor Groves mentioned above). That being said, there are quite a few gems in the collection; I was especially delighted to find a link to a PhD thesis written on the literary alchemy of Shakespeare (see the ‘Macbeth’ pages). A golden key!

Let me know what you think of this lost treasure found at the back of the HogwartsProfessor vault shared here for the first time in years: 12 Rowling Story Sources for Potter Pundits.