On Friday night, J. K. Rowling changed her Twitter (currently called X) header from the view of York Minster cathedral to a stock image of a tree house. Its fair to assume this is too late to be Hallmarked Man related, but could this be Strike-Ellacott 9 related? All of J. K. Rowling’s Twitter (currently known as X) headers can be found here. Let me know what you think in the comments!
J. K. Rowling Tree House Twitter Header
The Hunger Games – a Latecomers Impressions
At the ripe old age of 54 I have just completed my first (non J. K. Rowling) modern Young Adult fiction book. Being outside of the fandom, I have read, seen, and discussed nothing about this series prior to turning the first page. My expectations were quite high, based largely on the knowledge that John Granger thinks very highly of them, and he has never yet steered me wrong on a reading recommendation.
The Hunger Games is based in Panem, a dystopian and socially hierarchical society in North America. The fabulously wealthy Capitol district is kept in luxury by the exploitation of their poorer neighbours through force, starvation, tariffs and poverty. Think Aldous Huxley’s Brave New World just a few generations before they really crack that genetic engineering. The twelve subject districts that serve the Capitol have to provide a tribute each year of one boy-child and one girl-child to be sacrificed each year in the Hunger Games. These twenty four child victims are expected to fight each other to the death for the viewing pleasure of those in the Capitol, and as an exercise in learned helplessness for each of the subject districts. The parallel with Theseus and the fourteen Athenians to be sacrificed to the Minotaur are obvious.
Enter our protagonist Katniss Everdeen who is sixteen and is the primary breadwinner for her family of an emotionally damaged mother, and her sweet if somewhat otherworldly twelve year old sister Prim. The world is plainly dystopian, with starvation an ever present threat, but within the constant struggle Katniss is clearly in control. She is talented at what she does, hunting for food outside the district fence, and trading for what she needs for her family on the black market. She has a friend Gale, she hunts with, and relationships within the town that supports her and her families survival. There are shades this lifestyle being almost idyllic when the Reaping brings this crashing down. Katniss volunteers when Prim is chosen by lottery to be this year’s tribute.
The almost unbearably decadent Capitol is even more distressing, as she and Peeta (the male tribute from her district) are primped, polished and primed for the sacrifice. They both have secret weapons that will help with their survival, she can survive in the wild and is expert with a bow, and he is in love with Katniss, which plays well with the viewers and could lead to support in the games.
The games themselves are brutal. I thought more than once of The Iliad, both in terms of the vivid depiction of the intersection of weapon and victim, and the repetition of violence. The death of Cato at the hands of the muttations exceeds even this, and if there was one part of the book that I would shield a child from, it would be this. Vital as this chapter is to the book as a whole, I think all but the most mature (not to say jaded) children would benefit from a conversation with an understanding adult after the suffering of Cato. I have my understanding wife.
As I wrote to Kelly Loomis (another Hunger Games latecomer) today, the real test of a series like this is the want and need to continue. I have ploughed straight in to Catching Fire, and although I am already at part two, it may be a few days until I can write a review. Tomorrow, back to J. K. Rowling!
Confessions of a Hunger Games Virgin
As a adult (not to say aged) Harry Potter fan, its perhaps a little surprising that I have never read any other YA fiction beyond the classics. And by classics I really mean written by dead authors. Since I rediscovered a love of fiction in 2018, my have-been-read list consists of: Anne of Green Gables, The Secret Garden, The Wind in the Willows, Alice’s Adventures in Wonderland and the first four volumes of the Swallows and Amazons series. In terms of children’s and YA literature my to-be-read list (think Emma Woodhouse) is completely empty. No Divergent, no Twilight, no Hunger Games.
Three things have coincided, to make me re-evaluate. I have just finished Super-Infinite: The Transformations of John Donne by Katherine Rundell, a children’s writer who has had some lovely things to say about J. K. Rowling’s work. She has a, very well received, list of children’s books, that look very intriguing. The Hogwarts Professor is agog with the latest instalment of the Hunger Games, and unless I want to be spoiled I cannot read any of the posts (dammit!). Finally some self reflection leads me to believe I am guilty of that fault that I deplore in others: believing myself above such childish things…
So in the spirit of turning turning over a new leaf I have allowed Katniss to take me by the hand and lead me into the series. More tomorrow!
Ten Things You Didn’t Know about ‘Harry Potter and the Sorcerer’s Stone’ (2012)
A good friend last week wrote to me saying that he had been invited to give a talk about Harry Potter at a local bookstore and he was flummoxed about how to introduce the ring composition idea without using PowerPoint slides projected on a screen. The bookstore didn’t have a projector or a screen or even a blank wall.
I was in exactly the same position in 2012 when I gave a series of “Ten Things You Didn’t Know About [Each of the Harry Potter titles]” at Oklahoma City’s wonderful independent bookstore, Full Circle. Incredibly, that talk was recorded and I still have a copy to embed here to illustrate my solution to the problem: hook your laptop up to a large flat screen television set and put it on the table next to where you’re speaking. For a crowd of thirty or less, if you’ve made the slides with a large typeface, it works like a dream.
I post this tonight to say to my friend, “If I could do this in 2012 without any technical assistance while maintaining full Luddire status, you can do this in 2025 while standing on your head and juggling” (he is very accomplished at all things technological and computers).
And, no, I have not watched this video through, and, yes, I disavow everything I said that is contrary to what I have learned and said in the almost decade and a half since I put that talk together!
The Rowling Library: Issue #100 Checks In at 100 Pages! A Real Celebration
Patricio Tarantino, founder and editor of The Rowling Library e-zine, has knocked himself out for Issue #100 with not only an outrageous quantity of pages, a centenary one hundred, but with extraordinary quality as well. In addition to articles from TRL’s regulars — A. Dalla Palma, Rio Romero, Iris T. M., Oliver Horton, and several pieces from Patricio — Issue #100 features articles from Hogwarts Professor writers Nick Jeffery and Beatrice Groves, each contributing a signature piece from their research focus (Nick writes about the importance of the English class system in Potter and Strike and Dr Groves speculates about the epigraphs of Hallmarked Man and their possible alchemical meaning).
The only downside to the issue? It begins with a history of the magazine produced by The Rowling Library, which group also hosts a remarkable website of resources for Potter Pundits and publishes non-fiction works that focus on subjects of great interest to Rowling’s international audience. This introductory history ends with its author, Patricio Tarantino, admitting that Issue #100 may be the last hurrah for the e-zine. He writes:
This milestone—issue number 100—arrives at a crossroads. It could well be our final issue, closing a chapter that has spanned nearly a decade of dedication and passion. Or perhaps there will be a #101 appearing in May, just four weeks from now, continuing our monthly journey through the Wizarding World. The honest truth is that I don’t know yet which path I’ll take. The decision will come later, after we’ve had time to reflect on what these 100 issues have meant and where our energies might best be directed going forward.
For now, what matters most is celebrating what we’ve accomplished together—contributors and readers alike—in creating 100 issues dedicated to exploring, analyzing, and celebrating the work of one of the most influential and important writers of our times. Whether this marks an end or just another chapter, what truly matters is that we enjoyed every step of this magical journey together.
I hope the TRL team will consider publishing six issues a year rather than twelve or some other method of keeping the e-zine coming, though I appreciate the hard to believe labors of assembling issues with remarkable content of lasting value in a format that is simultaneously attractive and engaging.
Download the pdf of Issue #100 here or just start reading it. Congratulations to Mr Tarantino and the TRL regulars on passing the mammoth milestone of 100 issues with such grace and flair and many thanks for the many hours of challenging and instructive reading to be found in each new issue and the archives.

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