Will the Real Sam Barclay Please Stand Up?

J. K. Rowling has been remarkably reticent to acknowledge real people who have inspired characters within her works. There is of course Gilderoy Lockhart, who she has admitted is based on someone she knows, but has never revealed who that person is. Speculation will continue as to whether the inspiration is our beloved Headmaster (it isn’t), until Rowling finally lets the cat out of the bag. (He really isn’t…) 

The only character who is deliberately based on a real person is Gilderoy Lockhart. [Laughter]. Maybe he is not the one that you would think of, but I have to say that the living model was worse. [Laughter]. He was a shocker! The lies that he told about adventures that he’d had, things he’d done and impressive acts that he had committed… He was a shocking man. I can say this quite freely because he will never in a million years dream that he is Gilderoy Lockhart. I am always frightened that he is going to turn up one day. He is just one of those people from your past whom you feel you have never quite shaken off. I will look up one day at a signing and he will say, “Hello, Jo”. [Laughter]. Other people have contributed the odd characteristic, such as a nose, to a character, but the only character who I sat down and thought that I would base on someone is Gilderoy Lockhart. It made up for having to endure him for two solid years.

J.K. Rowling at the Edinburgh Book Festival, in response to a question from the audience, through Accio Quote.

It was big news to fellow Rowling obsessives, when a few weeks ago, J. K. Rowling stated that Strike contractor Sam Barclay was 100% inspired by a friend of hers. In this case, I think we know enough about the character and looks of Sam Barclay to hazard a guess. Check out mine after the jump!

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Audible Full Cast Recording – Draft Cover Art

Just a few moments ago, Audible sent me an email asking for my feedback on some proposed cover art for their full cast recordings due to be released starting later this year. My feedback was a little mixed. None of the covers really emphasise the full cast nature of the recordings, and the styles range from manga to comic cartoon. Let me know what you think in the comments!

 

Sunrise on the Reaping: The 3 Questions

As I do my the essential re-readings to ‘get’ any Suzanne Collins novels, I find myself thinking again and again about three questions for which we have yet to have answers about Sunrise on the Reaping and The Ballad of Songbirds and Snakes.

Structure: The only comments the author has made about her story structure was with respect to standard three part sequence of story events (inciting incident, turn, reversal, climax, denouement, etc.).  Her use in four of the five Hunger Games novels of a three-based system (3 Parts with 3-squared chapters in each, the first three comprising a trilogy of books), however, where her story-points occur as a rule in that structure, if it has ring or chiastic elements within it, whether there is a literary alchemy black-white-red sequence as there seemed to be in the Mockingjay novels, all those structural questions remain unanswered. Collins’ obvious structure suggests significant, signature artistry. I’m determined to explore that at last.

Symbolic Depth: The first three novels were at their anagogical depths transcending the surface political allegory the story of the soul’s apotheosis; the soul triptych being Gale as the body, Katniss the soul, and Peeta the Spirit. Read about that in these three ‘Unlocking Mockingjay’ posts:

Collins’ achievement as a writer in the original Hunger Games trilogy was largely her use of traditional symbolism to create a story in which her readers could share in Katniss’ agonizing transformation and union with Peeta, a cathartic bonanza almost unique in YA literature.

Is there anything like this going on in the prequel novels? It is hard to believe there isn’t given Collins’ accomplishment in the first series, but one has to allow, as Elizabeth Baird Hardy suggested yesterday, that the pressure for a profit-taking and series re-introduction must be enormous.

Series Destination: Are we done? If not, where are we going? Is the prequel series to be a three book set that closes with the Plutarch Heavensbee novel, one that takes from that oligarch’s first meetings with Coriolanus Snow through the Catching Fire Quarter Quell and Mockingjay revolution? Or will it be an indefinite number of books providing more and more back story of the original books? Quo vadis? We’ll be obliged to ask that question.

What questions haunt you? Let me know and Elizabeth Baird Hardy and I will discuss it here!

 

Not Until the Mockingjay Sings: Seven Reasons Suzanne Collins May Not be Ready to Leave Panem

Now that Sunrise on the Reaping  has been out a bit over a week, there is plenty of speculation on the next steps we may see in the Hunger Games franchise. TheRead Sunrise on the Reaping: Buy New Hunger Games Book on Sale Online film deal is already cemented, and speculation is hot regarding casting and other decisions. But, readers and investors alike are already asking “will she or won’t she” regarding additional books. Earlier this week, our esteemed headmaster, John Granger, posited seven excellent reasons why Collins may be finished with her Panem books. While I am not generally argumentative, I am willing to consider the possibility that Collins still has more to say about her created world  and that there may yet be more books. Join me after the jump for seven reasons that Sunrise of the Reaping may not actually be Collins’s last gift to the hopeful tributes of her readership. Then, you can decide which of our arguments has the most merit!

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Suzanne Collins Catching Fire Interview

Suzanne Collins as a rule does not do interviews, she has no social media presence to speak of, and does not feel the need or the special calling to share via pithy tweets her thoughts on the controversies of today’s new cycle (or her favorite new bistro’s signature cocktail). And she hasn’t, to my knowledge, explained this unusual behavior. What is curious is that all we know about her family is only the few sound-bites she has shared about her mother and father, websites devoted to such things cannot agree about her height (we’re talking about a disagreement of four inches), and there is some controversy about whether she is still married to the father of her children.

The only interview I found online that wasn’t a single question sound bite staged by Scholastic or a brief reading from a soon-to-be-released Hunger Games novel is the one above, in which she spoke to young fans about the recently published Catching Fire. We’ll be going through the transcript to this chat later in the week, to review it in light of Sunrise on the Reaper.

Yesterday I shared my seven reasons for thinking Sunrise, the second prequel and fifth novel, should be or just is the last in the Hunger Games series (and one reason it isn’t!). Tomorrow Elizabeth Baird-Hardy will explain just how far off I am in guessing that we’ve reached the end of Panem’s flat earth road. Until then, enjoy one of the few prolonged conversations with Suzanne Collins!