Long overdue, but here, at last, is the seventh installment in our series on Edmund Spenser’s Strike influence. As we
suspected from the first preview peeks at the Table of Contents for Troubled Blood, The Faerie Queene’s influence for this installment of the Denmark Street mysteries goes far beyond catchy little opening quotations to get the reader’s attention at the beginnings of sections and chapters. Rowling-Galbraith has skillfully woven in connections with Edmund Spenser’s grand epic poem, and delightfully mirrors the structure of the poem with the structure of the novel. As we’ve now reached the end, that brings us to Part Seven of Troubled Blood and the (sadly) incomplete Book VII of The Faerie Queene, so join me after the jump for seven thoughts about the great connections between these short ending pieces of really long texts!
The posts in this series in sequence can be found at these embedded links:
Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters
- Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen
- Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty
- Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight
- Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine
- Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One
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