• Strike Speculation: What If Leda and Whittaker Never Had Custody of Switch?

    Strike’s much-younger brother, Switch LeVey Bloom Whittaker, has been the subject of much speculation on this and other fan sites. The idea that he would be eventually important to the storyline was reinforced by his somewhat shoe-horned mention in the TV adaptation of Career of Evil, and the Grandpa Whittaker Did It hypothesis assumes that custody of Switch was the motive for Leda’s murder. But, having connected a number of factoids we have gleaned about Strike’s eighth and youngest half-sibling, the likelihood of him being in Leda’s custody at the time of her death seems to be diminishing. Obviously, his parents named him; who but Leda and Whittaker would choose LeVey and Bloom as middle names? But, it seems possible, even likely, that his parents lost custody before Leda died, perhaps even immediately after his birth.

    Reader Karol Jay caught the fact that if Leda was 6 months pregnant at Strike’s 18th birthday, on 23 November 1992, and Switch was born in December, he was likely 6-8 weeks premature. Leda, who probably would have favored a hippy-ish natural childbirth, perhaps even a home-birth, would have been forced into hospitalization, and, if Switch was that early, he probably spent some time in the NICU. This, of course, would lead his birth to be scrutinized by the authorities in a way that Cormoran’s and Lucy’s were not. Medical tests could very well have confirmed prenatal exposure to alcohol, tobacco or illicit drugs, all of which could have contributed to prematurity, especially in combination with Leda’s advanced maternal age. Little Switch’s frail condition would have likely gotten the attention of home health nurses or social workers, who, if they saw the squalor of the Whittaker-Strike abode, would have almost certainly declared it unfit for any infant, let alone a premature one. This would fit thematically with the other examples of characters who where either themselves removed from a parents care (Lula Landry, Rochelle Onifade, Steve Douthwaite, Jeff Whittaker) or ones whose children were taken (Dorothy Higson, Betty Fuller’s daughter).

    If baby Switch was to be taken into care, who would get him?  Big brother Cormoran was of age, at just 18, but still in school and not likely to want or be able to assume responsibility for a baby–and he also lived in the squat. Ted and Joan, who had raised Cormoran and Lucy for half their lives and assumed full-time custody of the latter two years previously, would have been the natural choice. But, this has never been mentioned, and, if Joan had raised a third child of Leda’s, even for a short time, it seems likely that she would want to see that child again once she became terminally ill. Furthermore, if Switch had a stable, loving home with the Nancarrows from infancy, it certainly would not be in his best interests for that placement to be disrupted at age 2, after his mother’s death. This leaves the Whittaker great-grandparents, who were likely at least in their mid-50’s and apparently estranged from the child’s father and grandmother, as the ones who most likely to have been given initial custody. We know that they adopted the boy after Leda’s death, but is it possible that they had custody much earlier, perhaps even immediately after his birth?

    Another reason to suspect that Switch was never in his parents’ custody:  If Switch had come home to the communal flat after birth, Cormoran would have lived with the child for nine full months, until he left for Oxford. It would be pretty heartless of Strike to have developed no affection at all for the little tyke. He may have already developed his unease with small children, but this was the period of Whittaker’s “growing tendency towards violence” and Strike was already relying on Shanker to keep that in check. Strike once rescued a cat that Whittaker attempted to bludgeon; it is unreasonable to expect that he would not be equally protective of a baby brother. Yet, so far, he has not shared any memories of Switch’s safety being a concern, only Leda’s (and the cat’s.)  There is also a quite wild but unlikely possibility:  Strike’s pulling a repressed-memory-a-la-Hawkeye-in-the-last-M*A*S*H and the cat he protected (and which Leda refused to believe Whittaker threatened) was not a cat at all, but Little Switch himself.

    A final hint: Strike appears to have been in Cornwall, rather than at Oxford, when he learned of Leda’s death in December 1994, since he appears to recall the family, raw from shock, reacting to the news in the St. Mawes home.

    Why she had done it, nobody could quite explain, not even Uncle Ted (silent and shattered, leaning against the kitchen sink) or Aunt Joan (red-eyed but angry at her little kitchen table, with her arms around nineteen-year-old Lucy, who was sobbing into Joan’s shoulder). (CC, Ch. 11).

    If Strike had been at Oxford when he received the phone call about Leda’s death, he most likely would have immediately traveled the 90 or so minutes southeast to London, not detoured the five-odd hours southwest to Cornwall to be with Ted, Lucy and Joan. This is especially true if Leda’s two-year-old son was living at the flat at the time of her death. Strike was presumably in Cornwall for another reason, perhaps choosing to spend Christmas in St. Mawes rather than in the squat.

    With his mother dead and his father arrested for murder (recall, the arrest happened quickly, before Shanker could take him out), someone would need to take charge of little Switch immediately, All of the Cornwall bunch should have hightailed it to London to get the child, unless Switch was already safe in the custody of someone else. Again, the Whittaker great-grandparents are the most logical candidates.

    Whether the Whittakers took custody of Switch at birth or right after Leda’s death, the question remains, why them and not the Nancarrows? Surely authorities would favor keeping siblings together, even with the 16-18 year age gap between Switch and his older half-sister and -brother, and the Nancarrows were likely a good 15 years younger than Sir and Lady W., making them better choices to take on a baby. One possibility is that the Whittakers challenged the Nancarrows for custody, in hopes of securing a respectable heir, and, with their deeper pockets for attorneys, they won. Another possibility is that Jeff Whittaker favored his grandparents as caregivers, and somehow preemptively delivered Switch to them, either before or after Leda died. True, Whittaker hated them, but he might have thought his chances of eventually getting the boy back were better if Switch stayed with his side of the family, and, once accused of murder, he had reason to ingratiate himself, since he needed their money for a lawyer. If he had or planned to dispatch Leda, he might have assumed that Switch would inherit at least a third of Leda’s supposedly hidden wealth and, once acquitted, he would be able to access it as the boy’s father. We know he tried to kidnap his son a year or so after his release; perhaps that was an effort to get hold of the inheritance that he thought Leda had left behind.

    The circumstances of Switch’s birth, when he went to his great-grandparents’ care and where he was when his mother died are certainly all questions that need to be answered as the mystery of Leda’s death is probed.

  • Ink Black Heart – Twitter Character Update

    Pat Chauncey has posted an update that suggests both she and Strike are still smoking, which poses an interesting if slightly meta question. In what time frame are the characters speaking from? The existence of Anomie would suggest they are operating from a frame at or about the time of Ink Black Heart. This would also explain the existence of the now ancient Wolfgang. 

    Roddy Fforbes has disappointed. While we could infer that he was British and upper or upper-middle class from his brief mentions in the book, he has now become a full pastiche of Bertie Wooster. If the creators of this account have access to The Ink Black Heart, then I cannot believe that Roddy is written like this:

     

    Anomie remains as mysterious as ever, posting four pictures. Firstly images of St Michael’s Mount in Cornwall and the Yorkshire Dales from early British Rail advertising. Then an image of the underground from the Ladybird book The Story of the Railways (1961) and the cover of a humorous modern Ladybird book for adults The Rock Star using original period illustrations.

    Brian Mathers is continuing his sickly sweet posts followed by blood curdling threats, sure to end up swiftly in the “nutter drawer”.

  • Collection site: How we can know if the Strike Cast Twitterers have the inside scoop.

    Speculation abounds on whether the assorted Cormoran Strike characters  who opened Twitter accounts in July and August (E.g. @AlabastorFair, @AnomieInkBlack, @IlsaHerbertOS, @Spellacott) are insiders with a sneak peak at the manuscript (which is, as of this writing, a couple of weeks away) or just uber-fans with too much time on their hands throwing the online equivalent of a midnight release party. There is a spectrum of possibilities:

    1. JKR/RG herself is behind all the tweets. Highly unlikely. But, personally, if managing all these accounts left her less time to tweet about trans issues, this would suit me fine.
    2. An editor or some other employee of the publisher is tweeting, in order to drum up excitement about the book prepublication.
    3. Some fan group has been given a sneak peak at the manuscript, and is tweeting with the knowledge and blessing of the publishers, likely with their content vetted closely.
    4. Some fan group has illicitly gotten hold of a copy, and is having some fun, while at the same time being decent enough not to drop any spoilers.
    5. Some fan group is just having fun, with no more knowledge than the rest of us.

    Can we do a little detective work of our own to determine which of those possibilities is true? Join me after the jump to see.

    Read More “Collection site: How we can know if the Strike Cast Twitterers have the inside scoop.”

  • Ink Black Heart: Rowling Interactive Q&A

    The Robert Galbraith Twitter account has announced an upcoming interactive fan question and answer event. Scheduled for the 8th and 9th September this is likely to be right in the middle of most fans first reading of the new book. Some video has already been posted, and saved for posterity by our friends at The Rowling Library:

    https://youtu.be/5yAwXCVNvlo

    What does The Ink Black Heart explore?

    I see this as a novel about disconnection. And people feeling disconnected in real life. And exploring what they find online as a way of connecting. But – it – I don’t want to give too much away. But the central theme of the book is anomie, which is a state of lacking normal social or moral norms. And – so, yeah, it’s really an exploration of that. It is a very sort of modern malaise. Although the term anomie has been around for a long, long time and it really – the term arose through industrialisation. People losing meaning in their daily lives and – and feeling that they themselves were not really part of society. Not really part of a whole. So, yeah. So, it’s a big theme. But it is explored in a very sort of contemporary way.

    How much of the novel is drawn from your own experience?

    I have never created a book – and this book certainly isn’t created from my own experience – you know, with a view to talking about my own life. That doesn’t mean, of course, that your own life experience isn’t in the book.

    With this book – I had been planning this book for so long and then a couple of the things that happen in this book have since happened to me. And so, I would like to be very clear that I haven’t written this book as an answer to anything that happened to me. Although I have to say when it did happen to me, those who had already read the book in manuscript form were – are you clairvoyant? I wasn’t clairvoyant, I just – yeah, it was just one of those weird twists. Sometimes life imitates art more than one would like.

    But, no, it’s not – this isn’t about my experience of – as being a creator. My experience – if I wrote about my experience as a creator, it would look very different. And I have to say, for example – which I think will be a question readers would ask: the Potter fandom, by and
    large, has been amazing to me. Incredibly supportive and I still receive tonnes of love from the Potter fandom. So, the fandom in this book is very much not a portrait of the fandom. It is of a very – I think a very different kind of fandom.

    What is it that makes Strike and Robin such a good team?

    The reason I love writing those two characters so much is I love them both as characters. And I love the friendship. I love writing – and of course I love writing the sexual tension, which I know is – is a big deal for certain readers. But my feeling was always that each of them had quite a lot of changing and growing to do. Even Strike who is 10 years older than Robin.

    You know, his – his past is an unusual one. And it has left him with issues that I don’t think he has ever really fully explored. And I feel that in books five and six, this being book six, you start to see him recognising some of this. He has still got a way to go. Equally, Robin, who’s had, you know, not a particularly typical romantic history because of – she has trauma in her past – in this book really does get to show a quite – what I think readers might find quite an unexpected side of her.

    So, I love – I love the fact – to me it is a real friendship, they do – they rub – they can occasionally infuriate each other. But they are very complementary personalities, I think.

    And they – their shared endeavour is really – is at the absolute root of what they value in each other and what they – I think now in this book, particularly at the end when something quite symbolic happens, you see that they recognise that they couldn’t have done it without
    each other. And that’s – you know, that’s a wonderful feeling when you – when you have a shared endeavour with someone, and I empathise with that a lot.

    It is not yet clear how the event will be conducted, but fans have been promised the opportunity for voting for the questions the want answered. It seems likely that all the answers have already been recorded, and I for one hope that in the fullness of time we will get to see all the footage.

     

  • Winning a Fictional Prize in a Fictional Contest: Chatting with Strike Characters

    We here at Hogpro have been enjoying following the Twitter accounts of all the Cormoran Strike characters that have popped up recently, and speculating who might be the mastermind and whether the tweets are providing clues to The Ink Black Heart. Being a bit of a competitor, when I lucked into this post a mere hour after it went up, I couldn’t resist responding.

    All it took was a quick google and I had the answer.

    Now, this is clearly a potentially mixed blessing.  Given the very real possibility that Peter Gillespie killed Leda, I certainly hope all contact remains distant. However, if I do hear from him, I could try to clear up a major mystery by making some discreet inquiries about how much money is in Strike’s child support account.

    And, if a Deadbeats 50th anniversary souvenir travel mug does indeed arrive in the mail, I can display it with my prize Ravenclaw water bottle.

    Another arrival in the Twitter fest was the account of Robin’s furry roommate, one Wolfgang Priestwood. So far, he hasn’t said much other than, “Woof!” but he had an interesting response to Peter.

    This does not bode well for Gillespie, Esquire’s innocence.

    My final thought: If you look at the entire poem, it certainly seems fitting for a spooky cemetery.  Reminds me a bit of The Hunger Games’ “Hanging Tree” song.

    I WAS milking in the meadow when I heard the Banshee Keening:
    Little birds were in the nest, lambs were on the lea,
    Upon the brow o’ the Fairy-hill a round gold moon was leaning—
    She parted from the esker as the Banshee keened for me.
    I was weaving by the door-post, when I heard the Death-watch beating:         5
    And I signed the Cross upon me, and I spoke the Name of Three.
    High and fair, through cloud and air, a silver moon was fleeting—
    But the night began to darken as the Death-watch beat for me.
    I was sleepless on my pillow when I heard the Dead man calling,
    The Dead man that lies drowned at the bottom of the sea.         10
    Down in the West, in wind and mist, a dim white moon was falling—
    Now must I rise and go to him, the Dead who calls on me.

     

    The author, Alice Furlong is a Irish poet and activist in an ultra-nationalist group.  She and Polworth ought to get along.

    Happy Tweeting, everyone.

    Update: